Adam Partridge Auctioneers Cheshire
Auctioneer in Cheshire

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Lots 120 - 130 of 514

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Lot Number: 121
ELSPETH OWEN (born 1938); an earthenware smoke-fired vessel, brown, blue and green surface decoration, height 18.5cm. (D)
Category: Studio Ceramics
Estimate: 150 - 250

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Lot Number 121
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Condition Report

Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

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Lot Number: 122
EMMANUEL COOPER (1938-2012); an early deep stoneware bowl, running pale yellow glaze over oatmeal ground, impressed mark, made 1964-73, maximum diameter 24cm. (D)
Category: Studio Ceramics
Estimate: 100 - 150

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Lot Number 122
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Condition Report

Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

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Lot Number: 123
JOHN WARD (born 1938); a stoneware bowl with curved oval rim covered in mottled green glaze, impressed JW mark, maximum diameter 17cm. (D) Provenance: The Doreen and John Roberts Collection.
Category: Studio Ceramics
Estimate: 300 - 500

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Lot Number 123
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Condition Report

Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

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Lot Number: 124
JOHN WARD (born 1938); a stoneware bowl with indented rim covered in matt black glaze, impressed JW mark, maximum diameter 15.5cm. (D) Provenance: The Doreen and John Roberts Collection, purchased from The Bluecoat Display Centre, Liverpool, 1980.
Category: Studio Ceramics
Estimate: 250 - 350

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Lot Number 124
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Condition Report

Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

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Lot Number: 125
CHARLES BOUND (born 1939); a large wood fired stoneware globular pot, impressed marks, height 31cm. (D)
Category: Studio Ceramics
Estimate: 300 - 500

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Lot Number 125
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Condition Report

Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

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Lot Number: 126
CHARLES BOUND (born 1939); a large wood fired stoneware tea bowl, impressed marks, height 10cm. (D)
Category: Studio Ceramics
Estimate: 150 - 200

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Lot Number 126
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Condition Report

Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

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Lot Number: 127
CHARLES BOUND (born 1939); a monumental wood fired stoneware platter, impressed marks, diameter 53.5cm. (D)
Category: Studio Ceramics
Estimate: 350 - 550

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Lot Number 127
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Condition Report

Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

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Lot Number: 128
CHARLES BOUND (born 1939); a monumental wood-fired stoneware platter, impressed mark, diameter 52cm. (D)
Category: Studio Ceramics
Estimate: 350 - 550

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Lot Number 128
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Condition Report

Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

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Lot Number: 129
CHARLES BOUND (born 1939); a small wood fired stoneware tea bowl, impressed marks, height 9.5cm. (D)
Category: Studio Ceramics
Estimate: 70 - 100

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Lot Number 129
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Condition Report

Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

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Lot Number: 130
CHARLES BOUND (born 1939); a wood fired stoneware flat bottomed pot, impressed marks, height 7cm. (D)
Category: Studio Ceramics
Estimate: 70 - 100

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Lot Number 130
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Condition Report

Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

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